Thursday, March 19, 2009

Macbeth Movie Review

Cecilia Mazumdar Stanger

Ms. Peifer

English 10IB

March 19, 2009

The Roman Polanski version of Macbeth effectively captured the eerie and horrific tone of the original play. Gruesome images and dissonant music aided in achieving this chilling effect. The context of the play was not changed at all. It was still set in Scotland, the language was accurate, the time period remained the same, and the dress and practices of the characters remained relatively loyal to that which the script implies. I enjoyed the amazing cinematography, particularly on the beaches of Scotland and within Macbeth’s home (the moments before Duncan’s murder were cleverly staged). I also liked the way Banquo’s murder was cut, with the lines “There will be rain tonight” as spoken by Banquo and “let it come down!” as the murderers released their trap.

The acting from every character was amazing. Lady Macbeth’s haunting confidence that transformed into guilty madness had me on the edge of my seat. I thought initially she was more feminine and manipulative than the bold and cruel Lady portrayed in Shakespeare’s original version. The screen chemistry between Macbeth and his Lady matched my interpretation of the written devotion.

My only complaint about Macbeth was also his is initial portrayal: his attitude at the beginning of the film wasn’t quite what I imagined. He wasn’t as kind and light hearted, the traces of madness began when he was first introduced during the witches scene. This evident in the sharp way in which he addresses his fellow Thanes. I didn’t believe that he was a good man succumbing to greed.

Afterward his character development was mastered. His phony innocence and nervousness after Duncan’s murder was well played. His paranoia was illustrated by awful hallucinations during the scenes surrounding Banquo’s death and the second witch scene, as well as dream sequences. Macbeth’s hunger for power quickly becomes apparent as he develops a cruel and mocking tone of voice.

My last few comments involve some common ideas that we learned about in class: symbolism, soliloquies, and humor. I noticed quite a few more puns at the beginning of the play than I had when looking at a page. This was a nice little break from the heavy themes presented. The porter scene had me laughing as well. Everything about the character was both realistic and comical. I found it interesting that the soliloquies were presented as “thoughts”, they were spoken as narration. What amazed me most about this rendition of Macbeth was the use of symbols. I recognized many significant ideas that we studied, in subtle places throughout the film. Borrowed robes, darkness and animals were seen everywhere, not to mention the overpowering theme of blood. 

Monday, March 16, 2009

As You Like It LRJ #5

Cecilia Mazumdar Stanger
Ms. Peifer
English 10IB
March 16, 2009

Orlando is hopelessly in love with Rosalind. He is determined to have her hand in marriage but knows not how. Even in a negative state of mind, Orlando displays gentlemanly qualities. He is faithful, true to his word, and courteous to all, including common people. These characteristics are so noble that they prove him to be an excellent man as well as an excellent husband "That would I, were I of all Kingdoms King"(5.4.10).

In utter desperation, he places the outcome of his future in Gaymede's grasp, who vaguely promises that "I will satisfy you if ever I/ satisfy man, and you shall be married tomorrow" (5.3.120-121). Regardless of Gaymede's contemporary plans, Orlando continues to be loyal. He is always honest and candid in Gaymede's company, "I can live no longer by thinking"(5.2.53).

Duke senior approaches Orlando's plight rationally, "Dost thou believe, Orlando, that the boy/ Can do all this that he hath promiséd?" (5.4.1-2). Even so, he remains supportive, fatherly, and attentive towards Orlando. This is illustrated when he allows him to have his daughter in marriage despite the circumstances.

Oliver is luckier than Orlando in love, but though they were mortal enemies, Orlando has little jealousy. He treats Oliver with brotherly kindness. They exchange advice and Orlando agrees with Oliver's choice in marriage, "You have my consent. Let your wedding be/ tomorrow"(5.2.13-14).

Though thick and thin, Orlando is devoted to Rosalind. At this point, she is his only preoccupation. Upon her arrival at the end of the play, Orlando is overcome with relief and joy of course! "If there be truth in sight, you are my Rosalind"(5.4.123). She is his dream come true.

As You Like It LRJ#4

Cecilia Mazumdar Stanger
Ms. Peifer
English 10IB
March 16, 2009

Orlando has two task's in this Act. The first is to save his brother's life, which he completes by combating a hungry lioness. The second, much more difficult task, is to successfully learn how to win Rosalind's heart. "I would not have my right Rosalind of this/ mind, for I protest her frown might kill me"(4.1.114-115). In both cases he exhibits or learns gentleman-like qualities and therefore accomplishes his overall goal. He shows chivalry in rescuing his worst enemy from certain death, which is the mark of someone truly noble. Ganymede teaches him to be careful with his words and actions, which is another important skill "How if the kiss be denied?" (4.1.83). 

Orlando has genuine interest in Ganymede's personality and ideas. He trusts him and goes along with all his curious games and simulations, including a marriage "Pray thee marry us" (4.1.132). Orlando treats "him" exactly as if "he" was Rosalind. He also demonstrates great loyalty to the country boy "...excuse/ His broken promise, and to give this napkin/ Dyed in his blood unto the Shepherd youth/ That he in sport doth call his Rosalind"(4.3.162-165), even when severely injured.

Orlando received great injury while battling a lioness to save his hateful brother. They soon develop a loving friendship with the help of Duke senior, "...he led me to the gentle duke,/ who gave me fresh array and entertainment/ Committing unto my brother's love" (4.1.132).

As You Like It LRJ#3

Cecilia Mazumdar Stanger
Ms. Peifer
English 10IB
March 16, 2009

In Act Three, Orlando is simply lovesick for Rosalind. "No jewel is like Rosalind"(3.2.89). In his despair, he hangs poetry on trees in the forest of Arden where he temporarily resides. "O Rosalind, these trees shall be my books" (3.2.5). The magical properties of the forest intensify his feelings. His goal is to be cured of this infatuation by learning how to woo Rosalind. This relates to his main purpose because he is seeking knowledge in both situations. In this case it is knowledge of women rather than the skills of a gentleman (these ideas do overlap).

 A strange country boy named Ganymede has a solution "I would cure you it you would/ but call me Rosalind and come every day to/ my cote and woo me" (3.3.433-435). Surprisingly, Orlando eagerly accepts the invitation "I am he that is so love-shaked. I pray you tell/ me your remedy" (3.2.373-374). Orlando's immediate curiosity and trust in Ganymede is extraordinary.  

Orlando also meets Jaques in the forest. The two men were not keen on their meeting, and would rather be strangers.  The young lover does not agree with Jaques' moody temperament, and they soon go their separate ways. "I am glad of your departure. Adieu, good/ Monsieur Melancholy" (3.2.297-298). 

As You Like It LRJ#2

Cecilia Mazumdar Stanger
Ms. Peifer
English 10IB
March 16, 2009

In Act Two, Orlando is told to flee from his bloodthirsty brother, Oliver. "This is no place, this house is but a butchery./ Abhor it, fear it, do not enter it"(2.3.28-28). Orlando was brave and bold in wishing to fight Oliver rather than flee,"I rather will subject me to the malice/ Of a diverted blood and bloody brother"(2.3.37-38), but he pays heed to his servant Adam's warning because of his loyalty.

Together they venture to the forest of Arden where they begin to starve. Orlando searches for food and encounters Duke Senior, from whom he forcefully orders accommodations. "He dies that touches any of this fruit/ Till I and my affairs are answeréd"(2.7.103-104). When the Duke calms him down, Orlando reveals his true humility and good intentions when he puts Adam's well being ahead of his own. The Duke kindly takes Adam and Orlando under his wing and treats them to food and entertainment. Initially Orlando was skeptical of Duke senior, but after he and Adam were generously cared for, he gained great respect for Rosalind's father. "I thank you; and be blessed for your good comfort"(2.7.141). 

Orlando's goal in this Act is to protect Adam and survive the forest. "If this uncouth forest yield anything savage, I/ will either be food for it or bring it for food to thee" (2.6.6-7). This relates to his overall goal of becoming a gentleman because his generosity towards a treasured companion (despite his class), presents a truly noble man with a good heart.

Saturday, March 7, 2009

As You Like It LRJ #1

Cecilia Mazumdar Stanger
Ms. Peifer
English 10IB
March 7, 2009

Orlando is the son of Sir Rowland De Bois. He is very loyal to his family name and his late father "I am more proud to be Sir Rowland's son,/ His youngest son, and would not change that calling/ To be adopted heir to Frederick"(1.2.228-230). His brother Oliver is the heir to the De Bois family fortune. Despite his great power, Oliver feels threatened by Orlando's superior wits "I hope I shall see an/ end of him, for my soul- yet I know not why-/ hates nothing more than he. Yet he's gentle, never/ schooled and yet learned..."(1.2.161-164). 

Orlando's goal is to gain the gentleman's education that his brother is withholding from him. He argues and struggles with Oliver to let him receive the teaching that his father promised "...allow/ me such exercises as may become a gentleman, or/ give me the poor allottery my father left me by/ testament. With that, I will go buy my fortunes" (1.1.70-73). Orlando also partakes in a wrestling match to prove himself a man "I come but in as others do, to try with him the strength of my youth"(1.2.164-165).

During Act One, Orlando meets Rosalind at his wrestling match. He falls in love with her upon their first encounter "...heavenly Rosalind!" (1.3.290). Their love is sure to blossom in the future, but as of now Orlando is left to question he lineage and his lack of speech.  

Wednesday, March 4, 2009

Macbeth LRJ#6

The broad, cliche meaning of life question can be considered a general theme in Macbeth. This massive topic can be broken down quite a bit to apply to both Macbeth, and humanity in general. Morality is the main idea that is questioned- When is killing just?, What human intentions are considered just?, What ideals are worth fighting for?, What amount of power is too much for any man? What kind of a man is fit to rule?

Killing through vengeance or to benefit a population  is justifiable. This is seen when Macduff heroically slays Macbeth who killed many for his personal convenience. Malcolm encourages Macduff to fight to avenge his lost family "Be this the whetstone of yours sword. Let grief/ Convert to anger. Blunt not the heart; enrage it"(4.3.268-269). When ones actions are for the good of the people, they are right and good "Henceforth be earls, the first that ever Scotland/ In such an honor named" (5.8.76-77).

The questions of power and  hierarchy are not answered. When Macduff promises Malcolm countless luxuries in ruling Scotland he justifies his words by saying "Not in the legions/ Of horrid hell can come a devil more damned/ In evils to top Macbeth"(4.3.58-59). But what kind of a King is necessary? and what makes him more suitable than Macbeth? Malcolm describes a good king with "The king-becoming graces,/ As justice, verity, temp'rance, stableness,/ Bounty, perseverance, mercy, lowliness,/ Devotion, patience, courage, fortitude..."(4.3.107-110). Can any one person have all these characteristics? No.